-ING Part 3 (a)

1st Law of Motion – Law of Inertia

Every object in a state of uniform motion tends to remain in that state of motion unless an external force is applied to it.

There’s no stopping us now… Supremes

Weav – ING

I thought continuously changing designs and altering plans were endemic only to site-specific installation artists.

However, writers change their story lines, musicians re-write their compositions, dancers revise their choreography; the second mark on a canvas may change the trajectory of the work and a crack in the stone releases a new image.

Eighteen months ago, I proposed the Welcoming the Stranger exhibition. Based on the mandate in the Quran, the Bible, and the Torah to ‘welcome the stranger’ – the exhibit would compare the treatment of immigrants of the 1920’s in Portland, Maine with that of “New Mainers” today.  There would be 3 components of the show: Abraham’s Tent, Sarah’s Generosity, Habeas Corpus.

The community would participate in a dialogue about immigration – past and present. The form of that community involvement was still to be determined*.

Twelve months passed in which I conducted research into the lives of the National Council of Women who assisted immigrants arriving in the 1920’s at the House Island Quarantine and Immigration station.

I initiated the campaign to prevent the development of House Island. The City of Portland designated House Island, the “Ellis Island of the North,” as an historic district. The remaining structures from the quarantine and immigration station would be retained. http://www.pressherald.com/2015/01/05/portland-council-grants-protection-for-historic-house-island/

Six months ago, I arrived in the city of my birth – a stranger – and was welcomed and supported and encouraged by the city of today. Creating community involvement – with organizations, religious institutions, schools, artists, individuals, and businesses – became the focus of my work for 3 months.

IMG_2573Anyone and everyone can weave – over and under, under and over.

(Think paper placemats in school or potholders at camp.)IMG_2523

I loaded and unloaded the Journey Loom onto my truck, attached a banner to the tailgate, and set up weavings throughout the city.
Using donated fabric, “citizen weavers” at First Friday Art Walks, World Refugee Day, Portland High School, The Children’s Museum, Levey Day School, Anderson Street Mosque, Tandem Coffee, Running With Scissors, Peaks Island, Root Cellar, Kennedy Park, Trinity Episcopal church and others created weavings.
2 girls

IMG_2872At each event, participants recorded ideas of how to ‘welcome a stranger.’ Their responses were posted on the welcoming the stranger art Facebook page and served as a way to continue the dialogue.

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The Journey Loom weavings – created a powerful visual symbol that captured the underlying theme of weaving together a community – a city – a country – a world. They became the 4th component of the exhibit.IMG_2659
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Journey – ING

Simultaneously, the panels for Abraham’s Tent were being woven on traditional looms using donated and hand spun yarn from around the country. Donations arrived from Ravelry.com readers.IMG_2225 The PortFiber Thursday spinning group spun, warped, wove.  http://portfiber.com IMG_2292

Between weaving events, planning with community groups, materials collection, and ‘commuting’ via the ferry from Peaks Island, I created the remaining components of the installation:

At Running with Scissors: artist studios and community http://www.rwsartstudios.com

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My studio space was headquarters for the project, storage for the looms and materials, apron design and genealogy research lab. I used RWS woodworking tools and the biggest light table I had ever seen for creating stencils. Kate Anker, founder, was the go to person for everything art. The resident artists provided their expertise, words of encouragement – and of course, coffee.

At Gathering of Stitches: A Making Space for Fiber and Textile People

http://agatheringofstitches.com

Samantha Hoyt Lindgren created a maker space for fiber and textile artists. You can rent a full time studio, attend classes and workshops, or arrange for time on the various machines.IMG_2801

Samantha is the most flexible person I know. I popped in weekly to revise the calendar. She would calmly erase the blocked out dates and write in the next. Eventually, we didn’t even bother writing in a date. She assured me there would be a space and place when needed.

At MECA: Maine College of Art http://www.meca.edu/

Elizabeth Jabar and I appeared on a panel at the Migrations Conference sponsored by Colby College in April. http://web.colby.edu/mainemigrations/ She is the Associate Professor of Printmaking and Foundation at MECA.IMG_2778

Her work is socially conscious and frequently community based. http://www.Futuremothers.org. Over coffee, I admitted I was terrified to print for the following reason:

I had never done ANY print making. (OK. Potato printing with my first graders.) http://www.marthastewart.com/1004012/potato-printing-craft

Elizabeth offered her studio and her expertise. On the hottest, most humid day of the summer, we mixed ink colors, printed test strips and practiced a paper lithography transfer process using gum Arabic, reversed photocopies of the 1924 map of Portland and lots of patience.IMG_2776

I now know I couldn’t be a printmaker; too many variables to analyze when it doesn’t come out the way you hoped.

 

 

At the “The Nest:” Peaks IslandIMG_0402

I have a small studio space in a boathouse called ” The Nest.”  At night, I researched Hebrew and Muslim prayers, adhesives, immigration law, transport companies, photographers, inks. I wrote scripts for audio collages, listened to hours of sound effects, conducted interviews, and produced recordings.

I photocopied and photocopied; signage; labels; brochures, letters, images.

And, I continued to meet with anyone and everyone who wanted to ‘welcome the stranger.’

Install-ING

Within the whirling dervish of my life, the underlying theme behind Welcoming the Stranger remained constant: To tell the story of the House Island Quarantine and Immigration station, the role of the National Council of Jewish Women, create an Abraham’s tent and compare the present day treatment of immigrants, asylum seekers and refugees to their welcome in the 1920’s.

The Welcoming the Stranger exhibit requires a 10-day installation. (A day defined as 14+ hours.) Lack of funding means relying on the generous spirit and labor of friends and volunteers. Everyone would be paid in donuts, lots and lots of coffee and heart felt appreciation.IMG_2930

And, naturally, ‘Murphy’ would make an appearance in ways I could never have predicted.

 

http://www.murphys-laws.com/murphy/murphy-true.html

 

*Welcoming the Stranger (WTS): building understanding through community based art is a forum for community and arts related organizations to explore the theme of immigration, belonging and “building bridges” of appreciation and understanding with people of all backgrounds. 

 Goals include:

 To promote a sense of commonality among diverse communities;

 To provide forums to discuss how the historic issues surrounding immigration are reflected in a contemporary context;

 To honor the contributions that diverse groups of immigrants provide to the American experience.

 

 

 

 

 

-ING Part 2

Newton’s Second Law: Acceleration is produced when a force acts on a mass. The greater the mass (of the object being accelerated) the greater the amount of force needed (to accelerate the object).

Travel – INGIMG_1967

This is the itinerary from March through October. This is not an exhaustive list and does not include all the #weavethetent events. I would say, however, it is an “exhaust-ING list.”

From the Firehouse Studio in Maryland to Colby College in Waterville, Maine (intermittent stop to eat some hot out of the oven bread prepared by Cheryl Hobart – a weaver and owner of Nomad Breads) http://www.nhmagazine.com/January-2015/The-International-Breads-of-Nomad-Bakery/ )

IMG_1897From Waterville to Portland, Maine (intermittent stop – Biddeford to see Mom – coffee at Elements)

From Portland to Peaks Island and back for 5 months on the ferry (DAILY stop for coffee at the Peaks Cafe) IMG_2401

From Peaks Island back to Waterville (intermittent stop – Maine Sheep and Wool Festival  http://www.fiberfrolic.com/  ( Coffee at Dunkin Donuts http://www.dunkindonuts.com/)

From Peaks Island to Union Bridge, Maryland (intermittent stop – Northfield Conference http://northfieldconference.org)  Not sure where I will find coffee…

From Union Bridge to Kennebunkport for a Kayak Self Rescue refresher class at Coastal Maine Kayak  http://www.coastalmainekayak.com  (Usually drink tea there due to being near frozen after the class.)

Kennebunkport to Peaks Island in time for July 4th!!  https://www.youtube.com/watch?v=OQUq9p7pgkc

Keeping a community-based art project that involves many people and many events moving forward requires lots of energy and of course, lots of coffee.

Consum – ING

Global consumption of caffeine has been estimated at 120,000 tons per year, making it the world’s most popular psychoactive substance. (This amounts to one serving of a caffeinated beverage for every person every day. YIKES)

‘The first coffeehouses established in Oxford, England were known as penny universities. The coffeehouses would charge a penny admission, which would include access to newspapers and conversation. In a society that placed such a high importance on class and economic status, the coffeehouses were unique because the patrons were people from all levels of society. ” http://en.wikipedia.org/wiki/Coffeehouse

Following the Boston Tea Party, Congress passed a resolution against tea consumption and coffee became part of the economic development of the country. Some historians believe that the introduction of coffee contributed to the overall advancement of Western society – since caffeine is a stimulant vs the consumption of alcohol – a depressant. https://www.nytimes.com/books/first/p/pendergrast-grounds.html

It seems that most of my discussions and meetings about Welcoming the Stranger (not to mention caffeine consumption) have taken place in coffee shops. It seems appropriate since the journey that coffee beans take to the U.S. often mirrors the countries represented by many of the new immigrants arriving in Maine including El Salvador, Costa Rica, Nicaragua, Peru, Honduras, Guatamala, Colombia, Brazil , Ethiopia , Zimbabwe, Kenya, Burundi, Rwanda Sumatra, Sulawesi, Papua New Guinea, Timor, Java.

Like the early ‘penny universities’, my coffee shop conversations were educational – political – and critical to creating my artwork. (Tho’ no longer costing a penny for a cup.) Over a cup of coffee, I discussed with Alain Nahimana the issues confronting the Maine Immigrant Rights Coalition. http://www.aclumaine.org/meet-alain-nahimana.

Our conversation was the first of many in which I became more educated about the ongoing needs of New Mainers and the politics of changing minds and hearts of Old Mainers. http://www.ilapmaine.org/advocacy.html.

I learned about how the arrival of Somali refugees (some from villages in which she had worked in 1987-8) transformed the cities of Lewiston and Auburn when I met with Catherine Besteman, Colby College Professor of Anthropology.

In a meeting held at Arabica, http://www.arabicacoffeeportland.com/ Jen Hutchins and Jess Lauren Lipton, Creative Portland invited me to hold the first Weave the Tent event as part of their series: “Integrating New Mainers into the Art Community.” https://www.facebook.com/LiveWorkPortland

IMG_1912The event took place on First Friday at the Portland Public Library where I learned of ethnic-based places of worship in Portland from a Serbian security guard who learned to weave from his grandmother.

Art in a Cup

My mom is a coffee connoisseur (or maybe she just likes the ambience – conversation and news.)

Before moving to her assisted living facility, she walked from her apartment to Hilltop where she poured a ½ cup of ‘regular’ coffee and mixed in half and half and a package of sugar. She chatted with the baristas; knew their names and listened to surrounding conversations. http://www.hilltopcoffeeshop.com/

After moving her to a Biddeford assisted living facility, I discovered Elements. It is my place of respite and a go-to place of entertainment for Mom: books, music, coffee (and beer…. ) http://www.elementsbookscoffeebeer.com/

IMG_1920 Like coffee houses of old, Elements seems to be a place to learn about local happenings. Like my mom, I talk with the baristas, learn their names and listen to surrounding conversations.

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That was how I met Tammy Ackerman of Engine  http://www.feedtheengine.org, heard about Heart of Biddeford http://www.heartofbiddeford.org, and learned about the first mosque in Maine.

 

Art in Mills

To artists, empty brick buildings signify affordable studio space; to economic development officials, artists mean the introduction of the “creative economy.” https://www.youtube.com/watch?v=3_sqYD3vskc

The textile history of Maine is reflected in the abandoned mills of Biddeford. Located along the Saco River, the York and Pepperell Mills took advantage of the hydro power. By the late 1800’s, the boom in textile manufacturing required an influx of much needed workers. By 1880 almost 50% of Biddeford’s residents were foreign-born. When the mills needed fabric dye experts, they brought in Muslim Albanians. It is now believed that a room in the Pepperell Mill housed the first Mosque in America. The workers died during the 1918 flu epidemic. Their graves face east and are marked with the crescent. http://www.muslimsinamerica.org/index.php?option=com_content&task=view&id=17&Itemid=28

Walk – ING

Since returning to Portland, I walk more. Most of my forays are along the same streets that immigrants have walked since the first ships landed at the Portland docks: Map 1914 I walk from the cottage on Peaks to the ferry; from the Casco Bay Lines terminal to my studio space. On the way, I walk along India St. past the synagogue that my great grandfather built and where I will install Welcoming the Stranger.

I continue onto Smith St. past Union Bagels (organic) and down Anderson St. towards the heart of Bayside. During the 1960’s, there was an urban renewal effort to eradicate the “slums” of Portland thereby creating a need for low-income housing. (This need is once again exacerbated – due to the gentrification currently taking place.)

My mother worked on housing issues as well as civil rights issues. Many mornings we would wake up to find neighborhood activists strategizing at our kitchen table – drinking coffee. One hard hit area was Bayside. Bayside

 

 

“Most of Bayside today was in a section of Back Cove filled with debris from the Great Fire of 1866 — which burned most of the Old Port. “Over the decades, Bayside established two identities. It was an industrial center of Maine — connected to immigrant labor and a relatively large and active rail line and seaport. It was also a burgeoning melting pot of new Americans — a diversity that is still reflected there today.

Bayside, which has also become known as West Bayside, was the industrial zone, with foundries, lumber companies, soldering shops and junkyards. East Bayside was a lower middle class neighborhood where immigrants settled. It spans from Franklin Street to Washington Avenue. The Irish were among the first to settle there, followed by Scandinavians in the 1880s, Eastern Europeans in the 1890s and more recently African and Middle East refugees.” http://www.pressherald.com/2015/03/03/portland-approves-long-planned-midtown-project-in-bayside/July Blog?

 I walk pass multi-family dwellings, children waiting for school buses, men repairing cars, young girls in hajibs. The past feels very present to me and the present feels a great deal like the past.

This once nearly abandoned area is now considered to be thriving with co-operatives, collaborative, and creatives. Euphemistically referred to as Brewside or Yeastside, Bayside is now headquarters for Welcoming the Stranger. http://www.pressherald.com/2013/12/09/bayside_poised_for_a_project

PortFiber 

Since Casey Ryder took over PortFiber, “the focus of the shop remains the same–to support and inspire the fiberarts community with quality supplies and amazing classes taught by local instructors.  Fiberarts is in our collective blood.  It’s a connection to our past, to our ancestors, to the earth and it’s fiber producing creatures.  It is the aim of PortFiber to embrace those connections and make new ones with those who share the love of wool!  “ http://www.downeast.com/fiber/IMG_2292

Casey took less than a minute to agree to be the collection site for Welcoming the Stranger yarn donations. Her weekly spinning group is weaving a panel for the exhibit using the yarn they spin at PortFiber. http://portfiber.com/calendar/2015/2/26/portspinners

Running with Scissors http://www.rwsartstudios.com IMG_2330 …is a diverse artist studio collective thriving in the industrial and eclectic East Bayside neighborhood of Portland, ME.  A dedicated work space, it serves over 50 artists working in various mediums sharing equipment, space, community, ideas, support and tools. … It is also the home of The Bayside Clay Center, a branch of RWS dedicated to clay with 11 resident members and 12 associate members.

After my first Creative Portland #weavethetent event, Kate Aker invited me to establish a studio at RWS . Everyone there has been supportive and best of all – my Journey Looms can fit through the doorways.IMG_2336

Gathering of Stitches http://www.agatheringofstitches.org

“A Gathering of Stitches is a maker space for fiber and textile artists. Its a place for those of you who like to work with your hands, with fabric and yarn, to use shared equipment and resources, learn new skills, or hone old ones, and join in a community of folks who love fiber.”

After speaking at a 2 Degrees http://www.liveworkportland.org/connect-visit/2-degrees-portland event held at A Gathering of Stitches, I met with Samantha Hoyt Lindgren and reserved a sewing machine and a table in July and August to create the installation work.IMG_2458

Bayside is also a ‘caffeine corridor.’

Coffee By Design http://www.coffeebydesign.com Coffee By Design Headquarters is located in Bayside just off the bike trail. They purchase from more than 30 growers around the world. They give back to the local community through their Rebel Blend Fund. Tadim makes great “art in a cup.”

IMG_2515 Tandem Coffee http://www.tandemcoffee.com Tandem is not only is located between Port Fiber and Running with Scissors but shares a parking lot with a local mosque. Owner Will Platt has okayed a #weavethetent event there.

 

Creat-ING

John Adams wrote: “I am a revolutionary so my son can be a farmer so his son can be a poet.

Sometimes it takes years for the disparate pieces of an idea to weave themselves into a full-fledged cohesive work of art.

Some artists are disciplined and labor daily to practice their craft – improve their skills, develop a style, master a material.

Others are driven by deadlines, available materials or a competition. Environments influence their output – large studios, large work; etc. Alma Thomas created works all the same size due to the size of her kitchen table… http://en.wikipedia.org/wiki/Alma_Thomas

Some of us wait for the Flash – the aha moment.

Welcoming the Stranger appeared whole cloth – a conversation in a taxi cab, a tour of a former synagogue and kayaking around an island formed the nucleus of an exhibition and a community-based art work. But I have lots of work to do….

I have materials.

I have a space.

I have community.

I have a deadline.

And I have gratitude for all those helping me along the way.

I will continue on the stone path….as long as there is enough coffee.

 

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