-ING Part 3 (a)

1st Law of Motion – Law of Inertia

Every object in a state of uniform motion tends to remain in that state of motion unless an external force is applied to it.

There’s no stopping us now… Supremes

Weav – ING

I thought continuously changing designs and altering plans were endemic only to site-specific installation artists.

However, writers change their story lines, musicians re-write their compositions, dancers revise their choreography; the second mark on a canvas may change the trajectory of the work and a crack in the stone releases a new image.

Eighteen months ago, I proposed the Welcoming the Stranger exhibition. Based on the mandate in the Quran, the Bible, and the Torah to ‘welcome the stranger’ – the exhibit would compare the treatment of immigrants of the 1920’s in Portland, Maine with that of “New Mainers” today.  There would be 3 components of the show: Abraham’s Tent, Sarah’s Generosity, Habeas Corpus.

The community would participate in a dialogue about immigration – past and present. The form of that community involvement was still to be determined*.

Twelve months passed in which I conducted research into the lives of the National Council of Women who assisted immigrants arriving in the 1920’s at the House Island Quarantine and Immigration station.

I initiated the campaign to prevent the development of House Island. The City of Portland designated House Island, the “Ellis Island of the North,” as an historic district. The remaining structures from the quarantine and immigration station would be retained. http://www.pressherald.com/2015/01/05/portland-council-grants-protection-for-historic-house-island/

Six months ago, I arrived in the city of my birth – a stranger – and was welcomed and supported and encouraged by the city of today. Creating community involvement – with organizations, religious institutions, schools, artists, individuals, and businesses – became the focus of my work for 3 months.

IMG_2573Anyone and everyone can weave – over and under, under and over.

(Think paper placemats in school or potholders at camp.)IMG_2523

I loaded and unloaded the Journey Loom onto my truck, attached a banner to the tailgate, and set up weavings throughout the city.
Using donated fabric, “citizen weavers” at First Friday Art Walks, World Refugee Day, Portland High School, The Children’s Museum, Levey Day School, Anderson Street Mosque, Tandem Coffee, Running With Scissors, Peaks Island, Root Cellar, Kennedy Park, Trinity Episcopal church and others created weavings.
2 girls

IMG_2872At each event, participants recorded ideas of how to ‘welcome a stranger.’ Their responses were posted on the welcoming the stranger art Facebook page and served as a way to continue the dialogue.

IMG_2662

 

The Journey Loom weavings – created a powerful visual symbol that captured the underlying theme of weaving together a community – a city – a country – a world. They became the 4th component of the exhibit.IMG_2659
IMG_2879

 

 

 

Journey – ING

Simultaneously, the panels for Abraham’s Tent were being woven on traditional looms using donated and hand spun yarn from around the country. Donations arrived from Ravelry.com readers.IMG_2225 The PortFiber Thursday spinning group spun, warped, wove.  http://portfiber.com IMG_2292

Between weaving events, planning with community groups, materials collection, and ‘commuting’ via the ferry from Peaks Island, I created the remaining components of the installation:

At Running with Scissors: artist studios and community http://www.rwsartstudios.com

IMG_2788

My studio space was headquarters for the project, storage for the looms and materials, apron design and genealogy research lab. I used RWS woodworking tools and the biggest light table I had ever seen for creating stencils. Kate Anker, founder, was the go to person for everything art. The resident artists provided their expertise, words of encouragement – and of course, coffee.

At Gathering of Stitches: A Making Space for Fiber and Textile People

http://agatheringofstitches.com

Samantha Hoyt Lindgren created a maker space for fiber and textile artists. You can rent a full time studio, attend classes and workshops, or arrange for time on the various machines.IMG_2801

Samantha is the most flexible person I know. I popped in weekly to revise the calendar. She would calmly erase the blocked out dates and write in the next. Eventually, we didn’t even bother writing in a date. She assured me there would be a space and place when needed.

At MECA: Maine College of Art http://www.meca.edu/

Elizabeth Jabar and I appeared on a panel at the Migrations Conference sponsored by Colby College in April. http://web.colby.edu/mainemigrations/ She is the Associate Professor of Printmaking and Foundation at MECA.IMG_2778

Her work is socially conscious and frequently community based. http://www.Futuremothers.org. Over coffee, I admitted I was terrified to print for the following reason:

I had never done ANY print making. (OK. Potato printing with my first graders.) http://www.marthastewart.com/1004012/potato-printing-craft

Elizabeth offered her studio and her expertise. On the hottest, most humid day of the summer, we mixed ink colors, printed test strips and practiced a paper lithography transfer process using gum Arabic, reversed photocopies of the 1924 map of Portland and lots of patience.IMG_2776

I now know I couldn’t be a printmaker; too many variables to analyze when it doesn’t come out the way you hoped.

 

 

At the “The Nest:” Peaks IslandIMG_0402

I have a small studio space in a boathouse called ” The Nest.”  At night, I researched Hebrew and Muslim prayers, adhesives, immigration law, transport companies, photographers, inks. I wrote scripts for audio collages, listened to hours of sound effects, conducted interviews, and produced recordings.

I photocopied and photocopied; signage; labels; brochures, letters, images.

And, I continued to meet with anyone and everyone who wanted to ‘welcome the stranger.’

Install-ING

Within the whirling dervish of my life, the underlying theme behind Welcoming the Stranger remained constant: To tell the story of the House Island Quarantine and Immigration station, the role of the National Council of Jewish Women, create an Abraham’s tent and compare the present day treatment of immigrants, asylum seekers and refugees to their welcome in the 1920’s.

The Welcoming the Stranger exhibit requires a 10-day installation. (A day defined as 14+ hours.) Lack of funding means relying on the generous spirit and labor of friends and volunteers. Everyone would be paid in donuts, lots and lots of coffee and heart felt appreciation.IMG_2930

And, naturally, ‘Murphy’ would make an appearance in ways I could never have predicted.

 

http://www.murphys-laws.com/murphy/murphy-true.html

 

*Welcoming the Stranger (WTS): building understanding through community based art is a forum for community and arts related organizations to explore the theme of immigration, belonging and “building bridges” of appreciation and understanding with people of all backgrounds. 

 Goals include:

 To promote a sense of commonality among diverse communities;

 To provide forums to discuss how the historic issues surrounding immigration are reflected in a contemporary context;

 To honor the contributions that diverse groups of immigrants provide to the American experience.

 

 

 

 

 

-ING Part 1

– ing suffix: -ing

1. 
denoting a verbal action, an instance of this, or its result. “welcoming

Mov – ING

An object at rest will remain at rest unless acted on by an unbalanced force. An object in motion continues in motion with the same speed and in the same direction unless acted upon by an unbalanced force.

I seem to be in a perpetual state of motion as I prepare to move to Maine temporarily. Over the next several months, I will be living the life of a nomad. (It does not seem accidental that a Bedouin tent features prominently in my artwork.)

WeaveTheTent_Logo

Leaving my Maryland studio, job and friends to create         Welcoming the Stranger feels both overwhelming and exhilarating (and sometimes terrifying…)

It took more than a year to plan the 2-month long exhibit – to conduct the research, locate an exhibition space, find employment, procure housing, create relationships in the community, identify resources – all this before making the art.

Three months from today, I begin the installation of the exhibit. It will take 10 days.

How could the time have gone by so fast?

Think-ING

I never studied physics. I struggled with math and was convinced I would not be able to comprehend physics. For those who did take the course, here is an animated refresher: https://www.youtube.com/watch?v=ttZCKAMpcAo

I thought I would never have a use for the information. (I thought the same about algebra but revised my opinion as a result of tiling a bathroom floor.)

Stone carvers – especially – need to understand the basic principles of physics. If you neglect to pay attention to those ‘rules,’ you risk injury and sometimes, death.

Mark Di Suvero http://www.wsj.com/articles/SB10001424053111904006104576500170627655498

In Einstein’s Dreams, the author Alan Lightman …”fictionalizes Albert Einstein as a young scientist who is troubled by dreams as he works on his theory of relativity in 1905. The book consists of 30 chapters, each exploring one dream about time that Einstein had during this period. “

Because it is a series of dreams, I can enter or leave each chapter at will. And in the moment, I understand the principles. But their application in the real world eludes me.

The author of Art and Physics, Leonard Shlain, believes art is precognitive: “artists conjure up revolutionary images and metaphors comprising preverbal expressions of the novel concepts later formulated by physicists….”

(He) proposes that the visionary artist is the first member of a culture to see the world in a new way. Then, nearly simultaneously, a revolutionary physicist discovers a new way to think about the world. Escorting the reader through the classical, medieval, Renaissance and modern eras, Shlain shows how the artists’ images when superimposed on the physicists’ concepts create a compelling fit. http://www.artandphysics.com  images

When I read about the application of theoretical physics to various breakthrough moments in art history,  I understand at an intuitive level some other event may evolve from my artwork – one I could not have predicted. It is really the only hope an artist has – to create change.

Yet, none of this explains why time seems to contract rapidly when you are preparing for 5 months on the road.

Pack – ING:

I feel like someone embarking on a round the world trip – attempting to plan for multiple seasons, multiple settings, multiple scenarios …

  1. Packing clothing for 5 months in Maine – March to October*
  2. Packing to live in a suburban ranch home and then a loft in a boat house
  3. Packing supplies to make art
  4. Packing materials to teach
  5. Packing technology for everything else I will have to do
  6. Packing for contingencies. (I have to remind myself that I will still be in America and there is always Goodwill nearby.)

*I did consult the Farmer’s Almanac. It was not comforting. http://www.almanac.com/weather/longrange/ME

When I was a child, my friends carried their patent leather Easter shoes to wear in church and walked to church in their boots.

Mainers always say: If you don’t like the weather in Maine, wait a minute and it will change.

Mark Twain is credited with saying: There are 2 seasons in Maine – winter and the 4th of July.

My upcountry friends say: Spring isn’t here til the snow comes off the mountain. https://vimeo.com/125583476

My island friends warn: Don’t plant anything until Memorial Day.

IMG_1901

Teach-ING

Colby College is a liberal arts college of about 1800 students located at the northern edge of the City of Waterville. It is the home of the Colby Art Museum http://www.colby.edu/museum. IMG_1902The Lunder and Alfond families are representative of the Waterville philanthropic Jewish community. The former founders and long time owners of Dexter Shoes donated to both secular and religious causes. The “glass box” museum houses the Lunder Art Collection – more than 500 works.

IMG_2238_2

Teachers can arrange for artworks to be available for classroom instruction. I had requested a display of Artist Books. http://wgbhnews.org/post/100-million-art-collection-donated-colby-college-museum-art

As a result of a random telephone call to David Freidenreich, Colby’s Maine Jewish History Project, http://web.colby.edu/dfreiden/ I was given a tour of the sculpture classroom, 6 weeks as an artist in residence, a set of keys, a studio space and instructions for the staff room coffee maker (Only hazelnut goes in the green rimmed carafe).

Collaborating on anything is difficult for most of us. (Try coordinating window washing with a stranger for proof of my premise.) Over the past year, Bradley Borthwick, Assistant Professor of Art and I have had an ongoing dialogue about expectations for an artist in residence in the Sculpture Department. http://bradleyborthwick.com

When I learned that the 2015 theme for the Colby Arts and Humanities Department was Migrations, I proposed the following:

Create teams composed of a Jewish Studies student and a Sculpture 3 student. They would collaborate on the design and production of Artist Books to be shown at the Maine Jewish Museum as part of the Welcoming the Stranger exhibit.

The Jewish Studies students would conduct research on a variety of topics related to the history of Jewish migration to Maine. The Art students would learn book arts techniques and create Artist Books based on their partner’s research.

There were 6 males and 1 female in the Artist Book class.

There were 6 females and 1 male in the Jewish Studies class.

“Speed Dating” seemed the most efficacious approach to pairing up. (Interestingly, speed dating was a modern day Jewish approach to replace the matchmaker of old. http://www.nytimes.com/2013/09/29/magazine/who-made-speed-dating.html?_r=0

Every 2 minutes, the students shared the answers to these questions with a different potential partner:

Who is your favorite artist?IMG_1907

What is your work style (early bird vs procrastinator?)

What are your skills as a team member ?

What are your deficits as a team member ?

**Coincidentally, everyone was paired with their first choice.

Six weeks later, their books and papers are close to completion and we were preparing for the Migrations Conference. IMG_2262_2http://web.colby.edu/mainemigrations/

Learn – ING

As part of my Artist Residency, I attended the Jewish Studies seminar facilitated by David Friedenreich. I learned a great deal about the history and lives of the earliest Jews in Maine. His students researched the following topics:

  • The first Jewish community in Maine (Bangor, 1849-1856)
  • 19th-century German-Jewish peddlers and merchants
  • Why Maine attracted Eastern European Jews in the early 20th century, and how it shaped their Jewishness
  • Anti Semitic discrimination against Jewish immigrants in the early 20th century
  • The children of Holocaust survivors raised in Maine

More importantly, I learned that my own struggle – to define myself as either a Mainer first or as a Jew first – has been a struggle for other Maine Jews. I wonder still whether it was the cultural, ancestral or religious aspects of my upbringing that define me as Jewish.

This struggle of “definition” continues for the most recent immigrants to Maine. They are currently referred to as: “New Mainers.” They also struggle to maintain their heritage, their religion and their ancestry while integrating into a new culture.

At the Colby Migrations Conference, one woman told this story:

She immigrated from Somalia almost 10 years ago. Her children were born here. Yet, she wanted to be sure they had a sense of their heritage and culture. So they attended the annual Somali Day parade.

Everyone had small Somali flags to wave.

While they were waiting along the parade route, her youngest child looked up at her and asked:

Where is my flag?

She answered: Here it is. And gave her a miniature flag.

A few moments later, Her daughter asks again:

But, where is MY flag?

She explained the meaning of the design of the Somali flag thinking her daughter did not understand.

Again, her daughter states more insistently:

I want MY flag.

And pointed to the U.S. flag being carried in the parade.

And at that moment, she realized …

that the American flag was her daughter’s flag;

that America was her daughter’s country; and

Maine was now the place called home – for both of them.

Like us on Facebook: welcoming the stranger art

Follow us on Instagram: #weavethetent

Maybe…Maybe Not. Part 1.

HOLD THE DATE:

Welcoming the Stranger: hachnasat orchim

                  Maine Jewish Museum, 267 Congress St.

Portland Maine 04101

September 3 – October 25, 2015

( daily 10 am – 2 pm; closed Saturdays)

http://mainejewishmuseum.org/

HANDS:

I am staring at my hands as I type. It is 14 degrees outside (up from 10). Due to icy roads, closed schools and general winter malaise…I have been sequestered for what seems to be weeks – but it has only been 4 days.

The disadvantage of being at home during the day is the visibility of the dust bunnies under furniture, cracked plaster in the hallway, dirty fingerprints on switch plates and the ever increasing list of to do’s that grows from these observations.

I am staring at my hands as I type. With their broken nails, flaky skin, visible veins and ‘age’ spots- they look more like my grandmother’s hands than mine.

When carving stone in Italy, at the end of the day, artigiani apply olive oil to their dry skin.

Growing up in Maine, the ubiquitous tin of bag balm sat on the sill behind the kitchen sink.bag balm-lg

Aside:

Originally used on cow udders, Admiral Byrd took a tin with him to the North Pole. http://www.bagbalm.com/our-history.htm

The smell of Nivea Crème reminds me of my mother squeezing out a small amount on the top of one hand and rubbing it in and reversing the process for the other hand.

Wrinkles are also more obvious during the day.

I sit across from my 21 year old Research Assistant.* I am struck by the smoothness of the skin on her hands. I am somewhat nostalgic for the beauty that is youth – but at 21, I was too busy working two jobs and going to school full time to appreciate it. I often wish for a ‘do-over’ – to be able to pay more attention the 2nd time around.

In the 1986 Movie – Peggy Sue Got Married – Kathleen Turner faints while at her high school reunion and travels back in time. We spend the movie wondering if she will make the same decisions that led to her current state of despair.

http://www.imdb.com/title/tt0091738/?ref_=nm_flmg_act_43

Aside:

I was in line at Whole Foods at Thanksgiving and heard a gravelly voice so distinctive – I knew it belonged to Kathleen Turner. I looked up from my magazine and there she was – placing her groceries on the conveyor belt. I apologized for bothering her but wanted to say how much I admired her work. We talked recipes for the holiday (she was cooking) and the health advantages of the Paleo diet (she has rheumatoid arthritis.) She then paid, bid farewell and carried her own bags out the door…

2015 is the year that Marty and the Professor journeyed to in the movie Back to the Future.My exhibit is scheduled for September and October of 2015.

Although we never tire of that desire to start over, to go back to right a wrong, to take another path, to change the outcomes of our choices,

the only way to travel back in time is through research: newspaper articles, documents, meeting notes, publications, letters, obituaries, ephemera and interviews.

Eyes:

I need new glasses. I haven’t been able to thread needles for quite a while. Whenever I visited my grandmother, she would ask me to thread her needles. It didn’t make sense to a 10 year old. It does now.

I can barely make out the words on some of the PCJW documents I have been sorting.  NCJW papers

A typewritten document has emerged with a handwritten note on its cover:

         “Only copy – do not lose.”

Written in 1955 by Selma Black, A Cavalcade: Thirty Five Years of Council in Portland “ is a summary of the history and work of the Portland National Council of Jewish Women (NCJW) from 1920 – 1955.

In the Book One Summer In America – 1927, Bill Bryson highlights the events – natural and human – that took place that year including Babe Ruth’s achievements, the Sacco and Vanzetti trial, the great Mississippi River Flood, Charles Lindberg’s Atlantic crossing.  1927 is considered to be the most extraordinary summer in American history – one that changed forever how America was viewed by the world. http://www.amazon.com/One-Summer-America-Bill-Bryson/dp/0767919416/ref=sr_1_1?s=books&ie=UTF8&qid=1421076991&sr=1-1&keywords=bill+bryson+1927

LindbergAside:

Lindbergh, while on his post Atlantic flight publicity tour, landed on the beach in Old Orchard, Maine. The Scarborough Airfield was fogged in. He may have flown over House Island as he approached the area.

Black took a similar approach – dividing the work of the PCJW according to who was the president of the organization at the time.

1922-24 Mrs. Jacob (Anna) Sapiro President

Thirty five years ago. The first World War had ended,,,the country was launched on its biggest era of prosperity. Prohibition was here… presumably to stay. Women had at last won the right to vote.… Bathtub gin and the first WCTU meeting: the promise of peace and the prospect of marvelous things to come…radio, air travel, and equal rights for women… This was the climate of Portland when a small group of civic minded and far seeing women felt the need for united action in the local Jewish community…Providing kosher food was nothing new to them, and now a group began to furnish food for immigrants arriving at House Island. The immigration committee had a busy schedule, meeting the immigrants, preventing some of them from being deported, outfitting them and sending them on to their final destination.

I have less than 9 months before the opening of Welcoming the Stranger. It will be an installation and community-based artwork that grows from my research about the House Island Quarantine and Immigration station, the role of the Portland Council of Jewish Women (PCJW) and immigration of the 1920’s reflected in the immigration issues of today.

I am determined to create a family tree for each of the women with the goal of locating living relatives. My assistant signs up for Ancestry.com and begins the journey into the past.

After many hours sitting at the computer scrolling through census records, marriage and birth certificates, obituaries, tax records, city directories, we locate Anna Sapiro’s obituary:

Abby

Obit: Portland Press Herald, March 14, 1968

Mrs Anna Dorothy Meyerson Sapiro, 82, wife of Jacob Sapiro of 59 Codman St. died Wednesday…

…resided at the Jewish Home for the Aged…

…Mrs. Sapiro was a member of Temple Beth El, a charter member of the Portland Council of Jewish Women….

Besides her husband, she is survived by a daughter, Mrs. Maurice J. Rubinoff, Portland, three sons: Dr. Howard M. Sapiro, Portland; Lester E. Sapiro, Portland and Dr. Sumner M. Sapiro, Brockton, Mass. and nine grandchildren.

There are still Rubinoffs living in Portland. One of them is living in the family home.

And I send a letter.

No response.

And I send an email.

No response.

Holidays come and go. Planning and Zoning unanimously supports historic districting for House Island.

Kenneth Thompston, the expert on harbor fortifications, testified at the House Island hearing. Because he had been instrumental in the effort, I wanted to send a hand written note.

I asked for his address.

         His home was in the Deering High School (rival high school) neighborhood.

How long have you lived there?

Since he was a child.

Did you know the Rubinoffs ?

They hung out when they were kids!

And yes, he would be willing to knock on his door and tell him I have been trying to contact him.

He did.

So it’s time to find my parka, boots, mittens and scarf and head to Maine….Maybe it will be warm. Maybe not.

Going Back to Go Forward

November 1 is the Day of the Dead.

….Día de los Muertos helps us acknowledge and internalize that we will all die, so that we may live our lives with more awareness and meaning.

Día de los Muertos expresses the beauty and mystery of life and death. For many, it is a time of partying and celebration; for others, it is a time of introspection. At its most potent, it is a balanced blend of the two.http://www.celebrate-day-of-the-dead.com/

This year, several friends in Arizona donned costumes, painted their faces, and joined the parade to honor the dead.

dod cousins 2Years ago, while on the High Road to Taos Artist Tour, http://highroadnewmexico.com/about-tour  I bought a small Dia de los Muertos skeleton made of a clothes pin and felt.

 

IMG_1671The artist had started an organization to provide art classes to underprivileged children. The sale of the skeletons supported her community-based art.

http://www.centerfornonprofitexcellence.org/nonprofit-directory/art-heart

 

Going Back – Community-Based Art

“Community-engaged” or “community-based art,” refers to artistic activity based in a community setting. Works from this genre can be of any media and is characterized by interaction or dialogue with the community. Often professional artists collaborate with people who may not otherwise normally actively engage in the arts. http://en.wikipedia.org/wiki/Community_arts

I came late to art. I visited my first museum in college. My introduction to art mirrored the feminist movement of the 1970’s. Artwork at that time sought to validate women’s imagery and highlight the lack of recognition of women artists. I read about the Women’s House and the Dinner Party. I attended an opening of The Birth Project and sat in the audience as the Guerilla Girls “banana-ed” MOMA and other museums. http://www.judychicago.com/gallery.php?name=The+Dinner+Party+Gallery.

Guerilla girlsMy introduction to community-based art was through Suzanne Lacy. Her piece In Mourning and in Rage called into question the efforts of the police to solve the case of the Hillside Strangler and gave ‘voice’ to the victims. http://www.youtube.com/watch?v=idK02tPdYV0

In Lacy’s Crystal Quilt (1987) …

…The performance featured 430 Minnesota women over the age of 60 seated at tables on an 82-square-foot rug designed by painter Miriam Shapiro to resemble a quilt. …An accompanying soundtrack mixed the voices of 75 women talking about aging. A loon cry or thunderclap rang through the space in ten minute intervals, signaling the women to change the position of their hands on the table, thus changing the design of the quilt. http://www.suzannelacy.com/the-crystal-quilt/

Community-based art seemed a possible answer to the loneliness of making art while at the same time, making art meaningful to the community.

Recently, I opened an email from a friend I had not seen for years:

I was cleaning out a closet and found a small jar filled with ashes along with a letter …..The label read: Samhain. 1987. Signed by you.

Jen pixIt has been 27 years since I created my first community-based artwork: Samhain.

Some people believe that the veil between the living world and the hereafter is thinnest on Halloween Eve making ‘passing’ easier for the dying. Samhain, celebrated on November 1, is considered to be a Gaelic celebration following the end of harvest. The day was seen as a liminal time, when the spirits could more easily come into our world. http://en.wikipedia.org/wiki/Liminality

My dad died early in the morning of November 1, 1987.

To commemorate his passing, I invited others to attend a Samhain-like ceremony ‘to burn away the hurt and pain of the past.’

I set fire to the sculpture I had created during the 9 months my dad was dying. Attendees added pieces of paper – photographs – small objects to the flames. We stood in silence watching as the flames died and the ashes cooled. Each person then took a vial of ashes home.

I have no photos – just charcoal from the burning…and the memory of that shared experience with friends, artists, and members of the community.

IMG_1678Other community-based work evolved. On my long flight back from visiting the Neolithic goddess temples of Malta, I began the planning for what became a year-long project: Seeds of Change – community based art to feed the hungry.

Food for Thought: Food for the Hungry highlighted issues of rural hunger through a series of pancake breakfasts and “test your knowledge” placemats examining the misconceptions about poverty, hunger, food insecurity, food stamps, etc. The pancakes were made from buckwheat flour grown and milled locally.

As part of the focus on hunger, I conducted an “archeological dig” and created a “museum exhibit” filled with “ancient” sculptures that reflected the beliefs of the Neolithic goddess culture to care for the earth and its inhabitants.

Going Back – Site-Specific Art

 

It has been 30 years since I bought my first “real” artwork. I paid for it in installments. It was a 3-dimensional work depicting an easel, a brick wall and an arched window created by Guenther Riess. http://www.nytimes.com/1986/09/07/nyregion/westchester-journal-art-and-construction.html.

 

025 Reiss 2It has been 20 years since I moved to the Firehouse. When I walked into the building, it became clear that this would be my home.025 Studio 2 Site-specific art is artwork created to exist in a specific locale and integrated in its surroundings.

I jokingly refer to my Firehouse Studio as my largest site-specific work to date.

 

Invisible Legacy (1998)

Invisible Legacy was an installation of 1930’s furniture reupholstered in canvas upon which images, stories, medical reports, photographs, drawings related to the lives of women in my family I never knew. The work creates a conversation about, not only their lives, but those of others like them. Each diagnosed with a mental illness;

Each institutionalized for all or part of their life; Each leaving only an invisible legacy in the form of untold stories, unactualized lives and unrealized dreams.Israelson_jo_01 IL

 

Palimpsest Series (2000 – 2003)

When the ink on vellum was scraped off in order to reuse the vellum, traces of the old lettering bled through. This was called Palimpsest.

From 2000-2003 I created a series of work in which underlying histories – public and private – at one time ‘erased” – would be brought to the surface.

 

Palimpsest: Oella Mill (2000) examined the history of the Maryland cotton and wool industries through mill worker oral histories. I used raw wool, chalkboards and drawings to describe their lives as millworkers and the impact on the local environment. I examined the politics of the cotton and wool industries from sail making to war uniform production.Oella

I also learned a great deal about the life cycle of moths when I received a substantial invoice for their extermination.

 

 

Palimpsest: Wocus (2003)

Crater Lake National Park (Oregon) is one a magical place. The lake appears as a deep blue mirror that reflects passing clouds. Crater Lake filled a volcanic depression (a caldera) that formed when the Mount Mazama volcano erupted approximately 7,700 years ago. http://www.nps.gov/crla/index.htm.

 

At one time, the land and the lake belonged to the Klamath tribe. But ranchers were allowed to drain local wetlands to provide land for grazing cattle. And the habitat for the wocus plant – the main stay of the tribe – disappeared. The U.S. government then “terminated’ the tribe.02Palimpsest3

 

During a residency at the lake, I researched the history of the termination of the Klamath tribe, interviewed members of the Klamath tribe, gathered tule grass to weave, and created a work that depicts both “versions” of the history of the land and its peoples.

 

israelson_jo_04_Palimpsest

Going Forward –

Welcoming the Stranger 2015 Exhibit Maine Jewish Museum

My artwork often focuses on a little known moment in history that reflects larger issues within a contemporary context, The Maine Jewish Museum has accepted my request to create a site-specific community based work for a September 2015 exhibit entitled: “Welcoming the Stranger.” – hachnasat orchim.

I want to weave the names of those once detained on House Island into the fabric of our history.

I want to mesh the stories of 1920’s immigrants to Maine with those arriving today.

I want to document Bela Gross’ quest to be an American citizen and compare it to the quest of current asylum seekers.

I want to learn more about each of the National Council of Jewish Women members who helped early immigrants integrate into the City of Portland.

I want to honor those who “Welcomed the Stranger” almost 100 years ago in hopes of encouraging us to do the same today.

HOUSE ISLAND IMMIGRATION AND QUARANTINE STATION UPDATE:  

quarantine-2

Planning Board Public Hearing, November 25, 7:30 pm. The City Of Portland Planning Board will hold a public hearing regarding the request for historic district designation of House Island. If you cannot attend, please send comments to Deb Andrews: dga@portlandmaine.gov.

Sacred Spaces – Part 2

It has been said that, at its best, preservation engages the past in a conversation with the present, over a mutual concern for the future.

William J. Murtagh, First Keeper of the National Register of Historic Places

It has been 100+ years since the first immigrants stepped onto House Island to be processed at the House Island Immigration and Quarantine Station

The original correspondence between the U.S government officials, local businesses, politicians, architects, contractors are retained between planks of cedar, tied with a red ribbon and wedged into a box at the National Archives in College Park, Maryland. I untie the ribbon and carefully unfold the documents – some written in the calligraphy of the time. Later letters were typed on onion skin paper.

Although the local Portland businessmen and politicians at the time supported the government request to build the Quarantine and Immigration Station, they petitioned that the building not be on any of the populated islands of Casco Bay so as not to impact the budding tourism industry.

Archive 3 Archive1 Archive2

Many of the immigrants that passed through House Island were bound for New York and Boston. They came for a better life – to escape oppression or persecution, to find religious freedom, to seek economic prosperity. They came hoping for a new life in a new land.

They left family and friends and a familiar way of life.

They traveled in steerage for up to 18 days.

They arrived not knowing where they would sleep that night or where they would obtain a meal.

Those that ‘passed inspection’ by the Inspectors and Doctors on House Island were taken to Portland, placed on trains at the Grand Trunk Station and sent on to their intended destination.

300px-Grand_Trunk_Railroad_Station,_Portland,_ME

Those detained wondered if they would eventually be allowed to stay or be returned.

The 1924 Quota Act that would restrict the number of Eastern Europeans coming into the U.S. loomed. Steamship companies, predicting the future loss of business, increased the number of ships leaving Europe. https://thestonepath.wordpress.com/2014/07/22/you-should-have-been-here-yesterday-part-1/

Uss George WashWhen 23-year-old Bela Gross left France in 1923 aboard the U.S.S. George Washington, he had a passport, money, a career as a linotype operator and dreams of a better life. He left behind his heritage and his history. He was hoping to locate surviving relatives to replace those he lost in the White Terror events in Hungary. http://en.wikipedia.org/wiki/White_Terror_(Hungary) 

quarantine-2

In November of 1923, 218 immigrants were detained on House Island. Coincidentally, it was the same time as the National Council of Jewish Women of Portland established the kosher kitchen at the Quarantine Station. https://thestonepath.wordpress.com/2014/05/09/no-coincidence-no-story-part-2/

Bela Gross was one of those immigrants.

The Custom House Inspector determined – incorrectly – that the Russian quota had already been met. Allowing Bela to enter the US would exceed the quota. He denied entry.

Rather than be returned to Europe, Bela Gross jumped into the dark waters of Casco Bay. Patrolman Thomas Conley followed him into the bay. Officer Conley was born in 1883, the son of Galway emigrants and lived on Munjoy Hill. (https://thestonepath.wordpress.com/2014/05/09/no-coincidence-no-story-part-2/) His brother was the well-known boxer Bartley Connolly. One of my closest friends growing up was Michael Connolly. (Yes, a relative.)

Bela art

Friday, November 16, 1923: Boston Herald headline:

Is Rescued After Leap Into Harbor – Immigrant Feared He Would Be Unable to Enter U.S.

…After great difficulty, customs men rescued Gross with a line and he was taken to police headquarters.

He was a billiard hall keeper before becoming the first Jewish police officer in Portland in 1912. Patrolman Simon Rubinoff, a speaker of Russian, interviewed Gross and discovered that Gross,

orphaned at an early age, had wandered from Russia to France where he obtained a Russian passport and visa…(and) feeling quite alone in the world, he was attempting to come here to live with an uncle in Detroit.

Following the rescue, it was learned that Bela had lost his passport. At that moment, he became a man without a country. (Think Tom Hanks movie: The Terminal partially inspired by the 17-year-stay of Mehran Karimi Nasseri in the Charles de Gaulle International Airport, Terminal I, Paris, France from 1988 to 2006.)

Deported from Portland and not allowed to return to France or Germany, Bela was detained on the U.S.S. America for several months. His fate would be determined by the filing of a habeas corpus suit in the Federal Court of New York by his uncle in Detroit.

Docket image

For $20.00 you can obtain a copy of the Federal Court files from the National Archives in Kansas City. The case documents includes a transcript of his interview, the filing by his ‘relator’ Eugene Reinitz against the Commissioner of Immigration, legal arguments and the rending of the decision by Judge Winslow.

From those documents, I learned that Bela Gross was a Jewish Russian. I will never know if he ate in the kosher kitchen on House Island. I will never know if any of the National Council of Jewish Women of Portland offered him sustenance before he threw himself into the icy waters of Casco Bay rather than “…live a life with a lonely heart.”

The headline of the Boston Herald dated Thursday, February 14, 1924, read:

“Without Country” Admitted to U.S. — Court Finds Error in First Deportation of Gross

 There are 217 untold stories about those held on House Island in 1923 when Bela Gross made his decision to jump overboard.

There are other stories of those held at the Quarantine and Immigration Station between 1908 and 1937 when it was closed.

We may never hear them.

Fort Scammel

It has been 200+ years since Fort Scammell was erected to protect the entrance to Portland Harbor. President Jefferson, concerned with increasing British aggression, ordered the construction of the second system forts that included Fort Scammel, Fort Preble and Fort Sumner.

Fort_Scammel

The granite for Fort Scammel was quarried on Mount Waldo and brought by stone sloops to the island. Wharves on the west side of the island were constructed for the off-loading of the stones, as was a stone cutting shed. Stones were unloaded and moved using block and tackle.

GraniteNot only were the stones for Fort Scammel prepared on House Island, but also the stones for Fort Gorges and Fort Preble. Stones were moved from the cutting area to the east bastion by way of a short narrow gauge railroad.

….The British are not coming

In June of 1812 the United States declared war on England. Fort Scammel was garrisoned during the War of 1812 (1812-1814), but the fort’s guns only fired once in August of 1813 on a British Privateer in Whitehead Passage. A month later in September 1813 a British Flag of Truce party landed at the Fort to negotiate for the release of British prisoners from the HMS Boxer captured after a battle with the USS Enterprise off Pemaquid Point on 5 September 1813.

This year is the celebration of the 200th anniversary of the writing of the Star Spangled Banner http://www.starspangled200.com/

According to Portland fort historian Kenneth Thompson, the British originally planned to invade the U.S. through the Portland Harbor.

The presence of the 3 earth and gun battery militia forts proved formidable and the British decided to attack Baltimore instead.

Maryland played a pivotal role during the War of 1812, particularly during 1814 when the British captured and burned Washington, D.C. and then made their way toward Baltimore. The British planned to attack Baltimore by land at North Point and by sea at Fort McHenry, which stood in defense of the Baltimore Harbor. It was during the bombardment of Fort McHenry that Francis Scott Key, a Maryland-born attorney brought by truce ship to negotiate the release of an American prisoner, was inspired to write the words to what became the United States’ National Anthem.

In the 1860’s, Thomas Lincoln Casey was assigned to Maine to oversee construction of Fort Knox and Forts Gorges and the redesign of Fort Scammel and Fort Preble.

After the Civil War, he was assigned to oversee construction on the Washington Monument He served as the Chief of Engineers for the US Army Corps of Engineers 1888- 1895 and was the engineer for the Library of Congress’ Thomas Jefferson Building (1890-1897).

In 1954 Hilda Cushing, whose family owned House Island until recently, wanted to see the fort preserved and was quoted as saying,

“You can’t have tomorrow without today.”

Some people will look at a slab of granite and see an unused block of stone.

But I see the marks made by the hands of men who quarried the stone and constructed granite wharves and forts.

Some people will look the remnants of the Quarantine and Immigration Station – the original detention center, the doctor’s residence and the hospital – and see land for development.

But I hear the voices of those who came to America hoping for a better life for themselves and their children.

Some people will look at a fort that fired only one shot in defense of Portland and not understand its role in protecting the entire bay.

But I know that the architecture has more significance and its long history is of greater value than the firing of canon.

It has been said that, at its best, preservation engages the past in a conversation with the present, over a mutual concern for the future.

William J. Murtagh, First Keeper of the National Register of Historic Places

If you wish to be a part of the conversation regarding the possible historic district designation of House Island and Fort Scammel, PLEASE attend the Historic Preservation Board Hearing at Portland City Hall, Wednesday, October 1, 7:30 pm.

This is the first step in a multi phase process.

If you are unable to attend, please send comments to Deb Andrews, dga@portlandmaine.gov.

**

House Island Analysis of Eligibility As a Local Historic District

Report prepared by tti-architects for Greater Portland Landmarks is available on line: http://me-portland.civicplus.com/AgendaCenter/ViewFile/Item/894?fileID=3899

Sacred Spaces – Part 1

Sacred: highly valued and important; deserving great respect

What makes a place sacred?

 Loss of life?

I live near the site of the bloodiest battle of the Civil War that took place July 1-3, 1863 in Gettysburg. In one single day, 57,000 soldiers were killed, wounded or captured.

http://www.nps.gov/gett/index.htm

Brady photo

I always have trepidation when visiting memorial sites…frequently I find them too big or too controlled or too orchestrated or too pedantic and the emotions too difficult to access. I want to honor those who died and somehow connect to the feelings of those mothers, fathers, sisters, brothers, children who suffered their loss.

From our double-decker bus, we look across fields where 8000 soldiers were buried; 3000 horse carcasses burned; where the smell of blood and death and smoke permeated the land for weeks. We drive by the monuments erected to commemorate each regiment or battalion. (The difference escapes me. At this moment in time it hardly matters.)

There are 1,300 granite, marble and bronze monuments and markers throughout the 6,000 acres. The survivors erected many of the monuments. http://celebrategettysburg.com/civil-war-journal-18.html

imagesLincoln wrote in his Gettysburg address:

But, in a larger sense, we cannot dedicate, we can not consecrate, we can not hallow this ground. The brave men, living and dead, who struggled here, have consecrated it, far above our poor power to add or detract.

The battlefields envelop the town of Gettsyburg with its souvenir shops, fast food places, and points of interest – like the home of Jennie Wade wedged between a Holiday Inn and a gift shop. http://www.gettysburgdaily.com/mcclellan-house-jennie-wade-house-battle-damage/

 Jennie Wade – 20 year of age – was hit by a stray bullet that passed through her kitchen door as she was making bread. She had been baking for the hungry soldiers who appeared at her door daily.

McClellanHouse01210901_s

It is said that her mother baked 15 more loaves after seeing her daughter die.

It is said Jennie was the only civilian casualty of that battle.

Is that place where she fell, sacred?

What makes a space sacred?

Acts of social change?

Heifer International Headquarters are located in Little Rock, Arkansas. Little Rock is experiencing a downtown renewal and a focus on sustainability – and the future.

imagesHeifer headquarters received a platinum LEEDS rating – fully sustainable. LEED, or Leadership in Energy & Environmental Design, is a green building certification program that recognizes best-in-class building strategies and practices. http://www.usgbc.org/

A year ago, I was invited to exhibit my work: Heifer Relief: Compass, Ark, Berth as part of the 70th anniversary commemorating the Seagoing Cowboys.

http://www.heifer.org/join-the-conversation/blog/2014/March/honoring-heifers-history.html

Little Rock is also home to the Clinton Library. The structure cantilevers over the Arkansas River echoing Clinton’s campaign promise of “building a bridge to the 21st century.”

clintonlib1Little Rock is also connected to the past. From the Clinton library, it is about a 30-minute walk to Daisy Bates Drive through long established neighborhoods filled with Colonial revival, craftsman bungalows, four square homes – reflecting a diversity of design that at one time reflected the diversity of the population in the early years of the city

2120 Daisy Bates Drive is the location of Central High School – a National Historic Site.

litlrck1

Daisy Bates published the Arkansas State Press – an African American advocacy publication – highlighting among other issues – violations of the Brown V Board desegregation ruling.

Bates was the adviser to 9 students, known as the Little Rock Nine, as they attempted to enroll in the all-white Central High School.litlrck2

Inside the Visitor Center the displays tell the story of the civil rights movement leading up to the events in Little Rock. There are oral histories, video, photos, timelines.

http://www.nps.gov/chsc/index.htm

Outside the Visitor Center you step back in time. The houses that existed in 1957 still stand. The trees are taller. A restored Mobil gas station anchors the corner and Central High School occupies an entire block.

Today, 2419 students attend CHS. And in the late afternoon sun on a sultry afternoon, a diverse body of students – white, Asian, African American – stream out of the building at the end of the school day.

What makes a place sacred?

Acts of violence?

In 2001, I visited the site of the Oklahoma City bombing while conducting interviews related to the WW2 McGinty – the ship on which my dad had served in WW2. I wanted to know if the ship and crew had been stationed at Nagasaki after the bomb. If so, it may have contributed to the rare cancer he had. He could have been classified as an atomic veteran and possibly qualified for benefits.02McGinty

After months of research in the National Archives, I found the name of the ship’s doctor that served with my dad. He was living in Oklahoma and invited me to visit and interview him. I learned more about his life on the McGinty and life on a destroyer escort but not the answer to my question.

It was several years after the Oklahoma City Bombings when I entered the museum doors. I had to leave midway as the displays were too graphic, too violent, too raw.

In the field next to the reflecting pool stand 168 chairs – in nine rows to represent each floor of the building. Each chair bears the name of someone killed on that floor. Nineteen smaller chairs stand for the children.

Chairs

This year, some of those pre-schoolers would be graduating from college.

http://www.oklahomacitynationalmemorial.org/secondary.php?section=2&catid=30

What makes a place sacred?

Acts of heroism?

The site of the crash of Flite 93 is spare and somber. Unlike the Oklahoma City Memorial site located within a city with its buildings, gardens, museum, Flite 93 Memorial is located off of Highway 30/Lincoln near Shanksville, Pennsylvania. http://www.nps.gov/flni/index.htm

The approach to the site and visitor center is along a winding road through wildflower fields and wetlands. At the time of the crash, the site was being restored as a wetlands park in a former coal mine.

As you crest the hill to the parking lot, nothing resembling a traditional memorial is visible—no large visitor center blocking the view; no museum buildings. (The Visitor Center Complex is under construction and scheduled for dedication, 2015)

There are several small kiosks with photos of the 40 passengers and crew who died. There is a walkway – a black walkway – lined with stone barriers into which small niches are carved to provide places for notes, mementos.

Flite 93-1

There is this ever-present insistent wind that accompanies you along the path. There are ‘listening posts’ where you hear architects explain their design.

As you stop at each numbered post, it is easy to separate yourself from the reality – the memory of the event – the sacredness of the place.

Suddenly, you realize you are following the flite path taken by the plane as it was directed by the passengers…to crash.

Midway along the path, you notice a large boulder and a grove of trees – some old, some tall—swaying in the wind. They seem to be protecting a small group of newer saplings. In 10 years time, they have grown enough to begin to eradicate the black hole punched into the grove of trees by the crashing plane. http://www.nps.gov/flni/planyourvisit/planttreesflni.htm

Hemlock grove

It has been more than 150 years since the battle of Gettysburg

It has been 57 years since the Little Rock 9 entered Central High School.

It has been 19 years since the Oklahoma bombing.

It has been 13 years since 9/11.

In 13 years, a grove of trees fills an empty landscape.

In 19 years, an entire generation of preschoolers has graduated from high school.

In 57 years, there is an African American President.

In 150 years, battles are re-enacted without shedding blood.

George Santayana:

We must welcome the future, remembering that soon it will be the past; and we must respect the past, remembering that it was once all that was humanly possible.

You Should Have Been Here Yesterday – Part 2

When you ride the Peaks Island ferry at night, the ocean sparkles with the reflection of the lights from Portland. The city skyline is vastly different from the one my Dad sketched in 1985 – when the highest points were the spire of the Cathedral and the dome of the Observatory.

Today, instead of decrepit wharves and fish processing plants sprawled along the waterfront, there are gourmet food trucks, cruise ships, oyster bars, and boutiques. Newly built hotels are located across the street from historic brick buildings constructed after the Great Fire of Portland, July 4, 1866.

 http://www.whatwasthere.com/

There is always nostalgia with regard to the past…for the history as well as the architecture. There are still cobblestone streets in Portland made from the ballast of ships that entered the harbor and stone fountains for horses that no longer walk the streets.

cobblestones

Following the demolition of Union Station to make way for a strip mall, preservationists within the community joined together to form the Greater Portland Landmarks.

The_Union_Station,_Portland,_ME

 

http://www.pressherald.com/2011/08/31/the-ugly-birth-of-preservation_2011-08-31/

Never doubt that a small group of thoughtful, committed, citizens can change the world. Indeed, it is the only thing that ever has.”

Margaret Mead

I was raised to believe it is possible to affect change. When the Munjoy Hill East End Beach was closed due to pollution (before the construction of the sewage treatment plant), mothers (including mine) marched to City Hall to demand a pool be built so that kids would have a place to swim that summer.

Recently, a referendum was put to a vote by citizens of Portland to halt the sale of the Congress Street Park to a developer. As a result, the city is now creating a city-wide plan for open space.

http://www.pressherald.com/2013/06/14/congress-square-park-part-of-a-global-struggle-for-public-space_2013-06-14/

Prologue

It was July 4th weekend when I finally arrived in Maine. Peaks Island traditions include a participatory parade, family picnics and cookouts on Back Shore, culminating in a fireworks display over Casco Bay.

When I was in 6th grade we had to memorize the preamble to the Constitution and the Declaration of Independence. At that time is was a memorization exercise; now it is the blueprint for nations around the globe who are pursuing democracy.

When in the Course of Human…

When in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume among the powers of the earth, the separate and equal station to which the Laws of Nature and of Nature’s God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.

We hold these truths..….

We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain inalienable rights, that among these are life, liberty and the pursuit of happiness.

http://www.archives.gov/exhibits/charters/declaration_history.html

I am still conflicted about the concept behind the pursuit of happiness.

Is it happiness for an individual or for the greater good?

Do we pursue happiness for its own sake or to benefit others?.

Guide to Being an Aging Activist

On a holiday weekend, I paddle my kayak between 5:30 am and 9:30 am to avoid boat traffic. It is a quiet morning when I approach the osprey nests located in the bell buoys at either end of House Island.

House Island osprey nests I have never been on the island as it has been privately held for many years. The owner purchased the island to preserve it and prevent development.

The doctor’s house, the old quarantine station and a smaller structure have always been visible. The 1904 immigration building had been demolished but the remaining foundation outlined the footprint of the structure.

Fort Scammel – built in built in 1808 of blocks of granite –anchors the opposite end of House.Fort_Scammel_East_-_3

As I circumnavigated the island, the sounds of the osprey and her fledges were replaced with the sounds of machines. There was excavation equipment clearing the area near the former quarantine station.

Demo pix House IslandSomething felt wrong. Yes, the island had been sold but no plans had been announced. Yes, the island did not have “official” historic designation, but Fort Scammel has long been a companion to Fort Gorges. I wondered if there were permits for what was taking place.

 

 

How to find a reporter on a holiday weekend

The Vinograds (David and Miranda) hail from England but have been long time summer people on Peaks. They have a penchant for old buildings – going so far as to dismantle one scheduled for demolition and then reconstructing it. (Their favorite bumper sticker: Gut Fish, Not Houses.)

When I shared with them the apparent demolition, they suggested I research recent articles about House Island and it’s sale. Sally Oldham (married to Ted the photographer of the 20,000 buildings in Portland….See most recent blog.) wrote an op ed piece in June, 2014 entitled: Properties in Peril. House Island was one of two properties featured.

She concluded:

…Physical preservation of the buildings and landscapes that embody these stories, such a rich part of Portland’s history, could make them the linchpins for successful developments.

We hope that there will be easy public access for Portlanders and tourists to the Portland Co. complex buildings and House Island’s Fort Scammel and at least exterior views of the immigration station buildings so important to this city’s past.

Over the coming months, Portlanders will want to carefully watch the developments proposed for each of these key complexes.

http://www.pressherald.com/2014/06/11/maine-voices-two-portland-projects-highlight-opportunities-pitfalls-of-historical-development/

Tom Bell is a long time Press Herald writer and has covered development issues. I emailed him and he wrote back. I sent him photos of the apparent demolition work and all the documents and photographs I had collected. He called me for an interview.

How to contact city employees on a holiday weekend

Sending an email to the City of Portland permits, zoning, inspection, and historic preservation offices on July 4th felt like putting a note in a bottle, casting it into the sea and hoping it would be found quickly.

Meanwhile, the sounds of the machines continued.

I also contacted anyone who might have even a tangential interest in the island including the Audubon Society, Preservation Maine, and Greater Portland Landmarks.

I researched the Seashore Protection Act, Maine endangered species lists, and the decrease in monarch butterflies due to milkweed loss.

EVERYONE was on vacation.

I had no idea if other options were available to me to halt the work – at least temporarily. I needed a legal advisor.

And the machines continued.

How to find a lawyer (quickly) on a holiday weekend.

How would I find a lawyer on a holiday weekend and one that would be familiar with House Island?

Across from the Peaks Island library and adjoining Brad’s bikes is a window advertizing legal services and a number to call if you need a lawyer.

TwainI called. He did not have the expertise I was seeking and referred me to Tom Federle. He provided his cell number. I called and left a somewhat cryptic message. I did not expect a response until the end of the long weekend.

Within a few minutes, Tom returned my call. He was at his summer home on a nearby island.

His advice:

Let the City Offices have time to investigate the situation. Let them follow the established procedures. But, let’s create a Plan B.

But, the machines were still working.

 How to gain the public’s attention on a holiday weekend

July 9, 2014 Portland Press Herald, front page headline:

             Maine Island With Storied Past set for new chapter

http://www.pressherald.com/2014/07/09/a-rewrite-for-island-near-portland-harbor-with-storied-past/

I decide to hide out in the Maine Historical Society (following my attorney’s advice) and conduct more research on the House Island quarantine station. A volunteer historian goes into the stacks and returns with a manila folder marked “ISLANDS.”

There were yellowed newspaper clippings, a few brochures, photographs of a variety of island and island events. Tucked within the mix was a small, 8-page booklet entitled:

Experiences of My Early Life on House Island on Casco Bay in Portland Harbor Portland Maine

by Roberta Randall Sheaff

Self-published in 1983, it is out of print.

It begins:

I was born on House Island, a quarantine station, in 1909 in one of three houses there.

IMG_1439I looked up Roberta’s obituary. She died in Minnesota in 2004 at the age of 95. ‘She is survived by a daughter, son-in-law, grand children and many nieces and nephews.” I found her daughter’s address and telephone number in Duluth.

I called.

Benita Fuller-Fugelso talked freely about her mother and her mother’s love for House Island. Like most surviving children, Benita wished she had listened more carefully to the stories her grandparents and mother shared. She would now have a greater sense of the contribution her family made to the local history.

As we concluded our conversation she added:

“I have about 100 of my mother’s remaining books. I would be happy to give them to you to use in your efforts on my mother’s behalf to highlight the history of House. She would be thrilled to know her words will be shared with those who care about “her island.”…..

Generosity: kindness – willingness to give money, help or time freely.

How to Start a Controversy with Emails after a holiday weekend

Email #1:  Zoning and Permits – Thank you for contacting us. I searched our records of the site and have not found any demo permits.

Email #2: Inspection Services – Inspections Staff will visit the island to ascertain the situation first hand.

Email #3: Greater Portland Landmarks – we request that a representative of the historic preservation office attend the inspection as well.

Email #4: Lawyer – I made the argument that he is re-engaging in demo work and that requires a demo permit. If he is removing foundations, I would argue it is demo, not clean up as he stated.

Email #5: Me – I request that House Island be considered a historic district.

Email #6:  July 16th, the Historic Preservation Board meets to determine if they will move forward with the nomination of historic district. There is a multi phase process that culminates in 2 public meetings:

Preliminary workshop – August 6th to share report on history and significance of House Island.

Public Hearing – September 3rd

Email #7:  Following the inspection, a stop work order was issued.

The machines stopped for 7 days.

 

Epilogue 

I realize I cannot prevent the eventual development of House Island. I hope to encourage an examination and documentation of the buildings, the land, the fort, the untold history. I hope that its historical significance will be proven. Because –

When it’s gone, it’s gone.

I spent the morning, once again, kayaking across the channel from Peaks Island to House Island to observe the osprey. On this particular day, the fledglings were poking up from the nest. Mom and Dad were bringing them food and discouraging me from getting too close.

There is no reclamation of history when the physical evidence is removed.

When it’s gone; it’s gone forever.

Addendum

Please take the time to voice your opinion regarding the historic district designation of House Island, by contacting:

Deb Andrews, Historic Preservation, City of Portland

DGA@portlandmaine.gov

Or attend the public meetings.

 

I wish to thank the Joel and Linda Abromson Fund for their generous support of my research of the history of House Island and its relevance to the immigrant heritage of Portland.