Sanctuary

Sanctuary

A place of refuge or safety

A nature preserve

A sacred place

The innermost recess or holiest part of a temple or church

I am once again on Peaks Island.

It is a place where I wake to the caws of crows as they trail after the trash truck.

It is a place where bird sightings – snowy owls, guillemot, night herons, downy woodpeckers –are shared via the Nextdoor listserv https://peaksisland.nextdoor.com/news_feed/.

It is a place where the eider ducks are busy protecting their babies from the newly arrived eagles. The adults form fortresses with their bodies as they shepherd their babies to and fro. https://youtu.be/2rlHaF4vq1g

It is a place when in 1946, the Davies sisters bequeathed their property to the “preservation and development of the wild beauty of the estate and the attraction, propagation and preservation of song birds.”

Sanctuary – A place of refuge or safety.

I am staying in what was formerly called the Lemon Cottage. Scheduled for demolition in 2001, my landlords – avid architectural preservationists – purchased, dismantled, relocated and rebuilt the circa 1860 style cottage – minus its kitchen and bathroom. Due to the fact they had not numbered the boards, there were a few leftover pieces post reconstruction. The cottage now serves as a woodshop, boathouse, and my “nest.”

 

Surrounded by trees, the Nest is ‘feathered’ with side-of-the-road furniture. In exchange for the use of the Nest, I open their cottage at the beginning of the summer. There is a 2-page list of “to do’s” – posted on Leonard (the refrigerator) including but not limited to:

Outside:

Turn on the water (requires crawling under a building,) arrange for electric (flip circuits), remove tarps, charge the car battery and test brakes, remove shutters, rake leaves—take leaves to the compost bins at the community garden.

Inside:

Spray for ants, vacuum up bodies; look for rodent evidence (don’t vacuum up their bodies), unpack EVERYTHING stored in plastic bags, discard dryer sheets used to deter rodents (sometimes effective.)

As I unwrap their art, I recognize works created by many of the island artists. My hosts support of all forms of art – paintings, ceramics, clothing – even my community-based work Welcoming the Stranger.

This year, I am adding sculpture to their collection. In 1998 I built labyrinths throughout Maryland. https://thestonepath.wordpress.com/2013/02/

Since then, three 8’ ceramic reliefs – Demeter, Persephone, and Hecate – have been waiting for a permanent home. They have found it at the Nest.

 

Here I can focus on being a naturalist, an artist, a writer. (And a cottage concierge.)

Here I can give myself permission to not worry.

Here I rest until I am renewed.

Here I am supported by friends.

It is a sanctuary built on kindness.

 

Sanctuary: A nature preserve

I have a bucket list. I no longer wish to visit creations produced by humans but want to experience creations that existed before humans. Each adventure requires travel and specific timing:

  • Witness the monarch migration in California;
  • Experience the aurora borealis in Iceland (with a few active volcanoes and hot springs thrown in); and
  • Kayak with humpback whales in Tongo.

There are two ‘families’ of butterflies. Those east of the Rockies migrate to Mexico; those west of the Rockies stay in California and occupy towns along the Monterey coast from October to February. http://www.monarch-butterfly.com/monarch-migration.html

For my February birthday, my sister and I ‘migrated’ to the Monarch Sanctuary in Pacific Grove, California. Since the 1930’s, Pacific Grove has been Butterfly Town USA.

http://www.cityofpacificgrove.org/visiting/monarch-butterfly-sanctuary

It is easier to locate a coffee shop in Pacific Grove than to witness monarchs flying. For butterflies to fly, it must be sunny, 60 degrees or above and NOT raining. 2017 has been the wettest winter in 122 years along the Monterey peninsula (and elsewhere in California.)

According to the docent, sightings were down dramatically. No one is exactly sure why. The butterfly is now a ‘climate refugee.’

There are 5 stages from egg to adult monarch. https://www.youtube.com/watch?v=ocWgSgMGxOc

Milkweed is critical to the process. It is the only plant on which monarch butterflies will lay their eggs and is the primary food source for monarch caterpillars.

The plant decreased 21 percent in the United States between 1995 and 2013. Scientists, conservationists, and butterfly enthusiasts are encouraging people to grow milkweed in their own yards and gardens – to create Monarch Waystations – pesticide free zones – sanctuaries.

The community gardens at both the Pipe Creek Meeting house in Maryland and on Peaks Island are home to pollinator plants and native milkweed. (And we compost.)

http://news.nationalgeographic.com/news/2014/08/140819-monarch-butterfly-milkweed-environment-ecology-science/

 

Sanctuary: A place of refuge or safety.

Linda Rabben in her book: Give Refuge to the Stranger traces the history of sanctuary since ancient times. She believes altruism – in primates and other animals – is at its foundation. The historical roots of the movement derive from the right of sanctuary in medieval law and Jewish and Christian social teachings.

“ ….Human beings may have given refuge to strangers for 100,000 years or more. So many societies around the world practice or have practiced it that it can be considered a human universal, a characteristic of our species as a whole.”

The Sanctuary Movement was a religious and political campaign that began in the early 1980s to provide safe-haven for Central American refugees fleeing civil conflict. The movement was a response to federal immigration policies that made obtaining asylum difficult for Central Americans.

At its peak, Sanctuary involved over 500 congregations in the United States which, by declaring themselves official “sanctuaries,” committed to providing shelter, protection, material goods and often legal advice to Central American refugees. Various denominations were involved.

https://en.wikipedia.org/wiki/Sanctuary_movement

Several prominent Sanctuary figures were arrested and put on trial in the mid 1980s, including its two “founders”: Rev. John Fife – Southside Presbyterian Church and Jim Corbett – a Quaker.

Busted by Federal Agents, a Tucson Pastor Keeps the Sanctuary Light Aflame for Fleeing Salvadorans – Vol. 23 No. 12

Today, Reverend Fife continues the work of welcoming strangers to Tucson.

https://www.youtube.com/watch?v=RwHOACm3Yaw

 

Sanctuary: A sacred place

 The word sanctuary comes from the Latin word for sacred place.

 Tucson is located about 100 miles from the border with Mexico. It is surrounded by the Santa Catalina, Rincon, and Santa Rita mountain ranges.

It is a city that welcomes strangers.

 

I met Mary Koopman on the Peaks Island ferry. On our ride to Portland, we had a conversation about death and dying. She is a nurse specializing in hospice care. We have kept in touch over the years as our lives evolved. She moved to Tucson, was ordained as a Buddhist priest and established the Sky Island Zen sangha. She volunteers with a refugee resettlement program. (On my first day visiting her, we transported donated furniture to a newly arrived refugee family.)

She believes Tucson may be a place to install Abraham’s Tent and pursue another exhibition of Welcoming the Stranger. https://www.facebook.com/welcomingthestrangerart

Once again, I research possible venues, make appointments and follow leads. I travel to Tucson.

I attend the Handweavers and Spinners Guild annual meeting. More than 200 weavers and spinners were there. A member invited me to speak to her college class about community-based art.

I visit the Warehouse Arts Management Organization Gallery – housed in a 4000 sq ft historic warehouse in downtown Tucson. It has been a catalyst in the renaissance of the downtown arts district. It could house the exhibit and provide space for additional events.I meet with gallery curators and advocacy organization directors including The Jewish Historical Museum of Tucson, Jewish Community Center, YWCA.

 

 

 

 

All make time to talk with me.

All are underfunded.

 

Sanctuary: the innermost recess or holiest part of a temple or church From Latin sanctuarium, from sanctus ‘holy.’

My last day in Tucson, I attended the Religious Society of Friends meeting. http://pima.quaker.org

Quakers sit in silence and listen for that still, small voice within for guidance. It was a warm spring day. The windows were open. The curtains fluttered in the breeze.

The hour passed in complete silence.

At the potluck lunch, I spoke about Welcoming the Stranger and my ‘call’ to create the work. I provided hand outs on the history of the project, what was needed to mount the show and how unclear I was about whether to exhibit in Tucson.

Someone suggested a book in the meeting’s library: Callings – Finding and Following an Authentic Life 1998 by Gregg Levoy.

http://www.gregglevoy.com/callings/index.html

As I flipped through the pages – a phrase caught my eye:

Saying No to a Calling.

In 2015, Welcoming the Stranger was exhibited at the Maine Jewish Museum and examined the history of immigration in Maine and immigration today.

In 2016, Guilford College, a Quaker school and home of Every Campus A Refuge, sponsored its installation in the City of Greensboro, NC – an official sanctuary city.

To exhibit Welcoming the Stranger in Tucson, I would have to proceed without secured financial support or a sponsor.

A clearness committee is a group of Friends (Quakers) appointed to help a member of the meeting find clarity around a leading. A clearness committee’s job is to help the person discover whether there is clarity to move forward with a matter, wait, or take other action.

https://www.fgcquaker.org/resources/clearness-committees-what-they-are-and-what-they-do

As I write this blog entry, the United States government is considering legislation to cut federal funding to all cities that declare themselves ‘sanctuary cities. https://www.nytimes.com/interactive/2016/09/02/us/sanctuary-cities.html action=click&contentCollection=U.S.&module=RelatedCoverage&region=Marginalia&pgtype=article

 

How did medieval societies decide to pursue the rule of law rather than allow mob rule?

How did the members of the Sanctuary Movement decide that their spiritual beliefs superceded the law of the land?

How does a city and its people decide to remain a sanctuary city rather than receive federal funds?

How does an artist choose between following a calling or letting it go?

 

I continue to listen for the still, small voice within.

 

Welcoming the Stranger is a 501 3c organization. If you would like to make a donation, make check payable to the Welcoming the Stranger Fund and send to:

Community Foundation of Carroll County

355 Clifton Blvd # 313

Westminster MD 21157

Or donate directly with Pay Pal:

http://www.carrollcommunityfoundation.org/funds.asp?fund_id=252

 

Next.

IF I am Not going to Disney world…what next?

When I was bored as a child, I would ask my Mom for something to do.  Her response was always:

If you don’t know what to do next, just do something.

Next: Learn something.

rosehip-01

Beach Roses—that is what most people call rosa rugosa. Rugosa means wrinkled. They are very high in vitamin C.

Rosa rugosa was first introduced into North America in 1845. The first report of it being naturalized far from the location in which it was planted occurred on Nantucket in 1899. Ten years later it was said to be “straying rapidly” and today it is naturalized on the entire coast of New England. https://en.wikipedia.org/wiki/Rosa_rugosa

So I learned to make rose hip jelly. It’s a long tedious process.

1. Park at the side of the road along back shore of Peaks Island, Maine

2. Pick rose hips until your back is tired or the sun set takes your breath away. sunset

3. Sort through and discard gushy wormy ones. De- stem.rosehip-1

 

 

 

4. Cut in half

5. Place in large potrosehip-2

6. Cover with water

7. Simmerrosehip-3

8.Intermittently mash down with potato masher

 

9. Strain in cheese cloth straining

10. Freeze juice

And in the middle of winter when you are stuck in the house during a snowstorm, make the jelly.

 

Small world: While living in Portland prior to the Welcoming The Stranger exhibit, I re-connected with the community in which I had grown up – the Munjoy Hill neighborhood, Etz Chaim synagogue, forgotten relatives, summer camp friends, class mates – (even my senior prom date.)

Each #weavethetent event, First Friday openings or  a community workshop became a kind of ‘Pop Up’ Reunion.

One of those chance encounters was with a member of my high school swim team – Sherry Dickstein. We had served together on the newspaper, Year Book, social club, prom committee. She became a doctor and resides in Greensboro, NC. And by the way, her husband, Dr. Kurt Lauenstein, wrote a book to commemorate the 100th year of their synagogue. She sent me a copy. Maybe I would like to visit Greensboro.

 

kurt-book

Next: Read something.

Established in 1908 by prominent members of the then small Jewish community, Temple Emmanuel has always been known as a Temple of Involvement. The names Sternberger and Cone not only appear in the boxes of papers in the temple archives, but are visible on public buildings throughout Greensboro.

img-location-moses_cone_801x200

 

 

From its inception the congregation of Temple Emanuel was active in all aspects of the community: immigrant aid, women’s rights, schools, housing for workers, YMCA’s and the textile industry. https://www.tegreensboro.org/who-we-are/our-history

Small world:

Temple Emanuel is now home to more than 500 families, day school, and supports numerous community programs. Upon the completion of its new synagogue, the members of Temple Emanuel decided to retain the historic Greene Street synagogue.

te1924

 http://www.greensboro.com/jewish-temple-to-keep-greene-street-building-temple-emanuel-soon/article_178bd6f5-0158-553f-8987-54f48674659d.html

 

te-new

 

 

This year, the kitchen is being renovated. And a hallway art gallery installed.

 

Next: Advocate something.sign

The streets in the Maryland town where I live are named for famous Quakers – Farquhar, Benedum,  Shepherd. (And William Henry Rinehart – sculptor but that’s another story.)pipe-creek

Since 2001, (pending invasions of Afghanistan/Iraq), on Sundays, I have sat in silence with members of the Pipe Creek Society of Friends (Quaker) community. https://en.wikipedia.org/wiki/Pipe_Creek_Friends_Meetinghouse

Greensboro, North Carolina was settled by Native Americans, Scots-Irish, African Americans and Germans. Some of the earliest settlers were Quaker immigrants from Maryland.guilford

At the turn of the century, Quakers harbored the southern-most point of the Underground Railroad in the woods surrounding the present-day Guilford College.

Guilford is known for its unique curriculum. The 2100 students there can choose majors like Peace and Conflict Studies and Community and Justice Studies.

https://en.wikipedia.org/wiki/Guilford_College

In response to her need to “do something” about the current refugee crisis, Diva Abdo, Associate Professor of English at Guilford founded the ‘Every campus a refuge’ program. http://www.everycampusarefuge.org

Inspired by the Pope’s call on every parish to host one refugee family, guided by its Quaker tradition, and animated by the Arab-Islamic word for campus (حرم) which means “sanctuary.”  Every Campus a Refuge calls on every college and university around the world to host one refugee family on their campus grounds and to assist them in resettlement.

Thus far, Guilford College has hosted a Ugandan and two Syrian families on its campus grounds.
hege-library

Small world:

Jane Fernandes, current President of Guilford College, was the Provost in 2000 at Gallaudet University. I graduated from Gallaudet and taught at the Kendall Demonstration Elementary School. Gallaudet College is the only liberal arts college for the deaf. Yes, I know sign language. https://www.ourstate.com/guilford-college-president-jane-fernandes-finds-her-voice/

 

Next: Weave Something

While writing a review of Welcoming the Stranger for the International Sculpture Center Sculpture Magazine, B. Amore, my mentor and founder of the Carving Studio, https://carvingstudio.org asked:

What are you going to do with the exhibit next?

http://www.sculpture.org/documents/scmag16/may_16/may16_reviews.shtml

While visiting the Guilford College campus, I met with Theresa Hammond, Founding Director and Curator of the Guilford College Art Gallery. We talked – a lot. About – Quakers, Art, Welcoming the Stranger….and we made a plan to do somethingtheresa

It seemed to be a perfect confluence of events: synagogue kitchen, Guilford ‘every campus a refuge’ project and the Fabric of Freedom theme of the upcoming Folklife festival. So I returned to my studio and  started sending emails, making phone calls and contacting potential partners to find a way to bring Welcoming the Stranger to Greensboro.

 

Small world:

North Carolina Folklife Festival – Fabric of Freedom September 10, 11 2016

In 2014, the City of Greensboro passed a resolution declaring itself a welcoming city – “one that affirms the beauty and richness of our diversity, and one in which all are welcomed, accepted and appreciated.http://www.unitingnc.org/wp-content/uploads/2014/05/Welcoming-Greensboro-Report.pdf

This year’s theme is Fabric of Freedom. The festival is a series of arts programs that celebrate the diversity and cultural history of Greensboro, host city for the National Folk Festival (2015-2017). Exhibits, music, dance, community events, and more will be presented in venues across the city throughout September. https://nationalfolkfestival.com/fabric-of-freedom/

On September 10 and 11, I will be at the North Carolina Folklife Festival to create ‘journey loom’ weavings. Participants at the #weavethetent events will work together to add panels to Abraham’s tent.

The community weavings will be included in the Welcoming the Stranger exhibit at Guilford College Art Gallery, opening September 14 and continuing to October 30, 2016.

Temple Emanuel will also partner with Guilford to exhibit Sarah’s Generosity in conjunction with the renovation of the Greene Street kitchen.

Next: Sing Somethingmoose

 On the 19 hour drive from Maine to North Carolina in a very packed rental van, while my Installation Team that consists of my kayak coach/tent rigger/performance artist and overall good guy who is willing to carry lots of heavy stuff but drives with ear buds listening to a book – my brain was taken over by ‘ear worms.” earbudsActually one particular ear worm. https://en.wikipedia.org/wiki/Earworm

In the wake of the Cuban Missile Crisis 1962 and prior to the 1964 New York World’s Fair, Walt Disney commissioned song writers Robert and Richard Sherman to create one song that could be translated into different languages as part of its exhibit for the US exhibit hall.

I may not be going to Disney world but I am going to Greensboro AND as this exhibit takes shape, with the help of so many organizations and volunteers, I realize once again,

It’s a small world after all….

https://en.wikipedia.org/wiki/It%27s_a_Small_World

 

It’s a world of laughter

A world of tears

It’s a world of hope

A world of fears

There’s so much that we share

that it’s time we’re aware

it’s a small world after all…

Follow the progress of the installation of Abraham’s Tent at Guilford College and events at the North Carolina Folklife Festival and Fabric of Freedom:

Instagram: #weavethetent

susan-tent

Susan Andre preparing display table.

Facebook:         Welcoming the Stranger Art

 

gregg-tent

Gregg Bolton working on booth installation.

ras-ripping

Guilford RA’s ripping fabric with which to weave on the Journey Looms.

line-at-tent

Line to weave the tent.

 

 

 

 

 

 

overall-ncff

#weave the tent at the North Carolina Folk Festival

 

 

 

 

 

 

 

 

 

Threads

Help to create Abraham’s Tent: Be sure to read the Call for Handspun at the end of this blog entry. Please share the Call with friends, on Facebook, Twitter.

“Until one is committed, there is hesitancy, the chance to draw back– Concerning all acts of initiative (and creation), there is one elementary truth that ignorance of which kills countless ideas and splendid plans: that the moment one definitely commits oneself, then Providence moves too. All sorts of things occur to help one that would never otherwise have occurred. A whole stream of events issues from the decision, raising in one’s favor all manner of unforeseen incidents and meetings and material assistance, which no man could have dreamed would have come his way. Whatever you can do, or dream you can do, begin it. Boldness has genius, power, and magic in it. Begin it now.” Goethe (MAYBE) http://www.goethesociety.org/pages/quotescom.html

Let’s do it. –

Home Depot

Strand 1: Welcoming the Stranger

WILSON?

         – No

I repeat for the third time:   I-S-R-A-E-L-S-O-N

ISSALSON?

 – No. (Again with more vehemence and enunciation.

 I

S as in Sam

R

A before the E

E

L

S as in Stranger

O

N

Much of my life I have had to spell my name whenever I am ordering something or making an appointment. (Sometimes both first and last.)

In the 1960’s at Portland High School, names called out during attendance check were Irish and Italian, northern European with a smattering of Greek. Eastern European names frequently belonged to students of Jewish descent.

Today, students come from 41 countries and speak 26 languages. (I attended a graduation a few years ago. The principal should have received a special cophsmmendation for pronouncing all of the 300 + graduates’ names correctly.)

Strand 2: #Je Suis …

As part of the lead up to the Welcoming the Stranger exhibit, I wanted to blog about the history of Maine immigration. I wanted to compare the efforts of current day organizations serving asylum seekers, refugees, and immigrants coming to Portland, Maine with those efforts of the Portland Council of Jewish Women from the 1920’s.

Then there was Charlie Hebdo. Then other executions. Then mass kidnappings. Then other hash tags. Everyday, the news heralded more examples of ever increasing xenophobia around the world. Everyday, there were calls for revenge. I question what the impact of artwork would be in comparison to the horrors of the news.

Laura Blumenfeld’s father was shot in Jerusalem in 1986 by a member of a rebel faction of the PLO that was responsible for attacks on several tourists. Her father survived, but Blumenfeld’s ‘desire for revenge’ haunted her. Blumenthal book: Revenge a Story of Hope http://www.amazon.com/Revenge-Story-Hope-Laura-Blumenfeld/dp/0743463390

In her book, she travels the world learning about revenge in different cultures – and the dynamics of hate. I always return to her premise: that the willingness to listen to the other side helps to discover a third way [to resolve differences]- a choice beyond ‘turn the other cheek” or “an eye for an eye.”

In 1993, Seeds of Peace began as an idea of the American journalist John Wallach. At a state dinner with politicians from Israel, Egypt, and the Palestinian Authority, Wallach toasted them, then inspired them to pledge to bring 15 youngsters from each of their respective countries to a new camp he was founding in Maine. These 48, including 3 Americans, ranging in age from 13 to 18, comprised the first session of the Seeds of Peace International Camp. Over the past 20 years, the program expanded to include campers from other countries in conflict.

I attended the premiere of the Seeds of Peace documentary film. I was deeply touched by the willingness of these young people to share their personal experiences and to examine their misconceptions of each other’s cultures. They learned to listen. Wallach believed that these ‘seeds’ are the future leaders of their countries and will resolve conflict in peaceful ways. https://www.youtube.com/watch?v=4IzqD2l2nVs

Strand 3: Year of the Sheep

2015 is the Year of the Sheep according to Chinese zodiac.

For me, it is also the year of the sheep – more specifically wool.

Welcoming the Stranger: Building Understanding through Community Based Art will be an exploration of the stories of two distinct immigrant groups: the Jews of a century ago and immigrants and asylum seekers of today. As part of the exhibit, I am creating a large weaving – a kind of Abraham’s Tent.*

After researching ancient tents generally and Bedouin tent design specifically, it became obvious that I needed to learn to weave. Mary Klotz is my go-to person for fiber-related artwork (actually anything related to making stuff.) She is owner of Forestheart Studio and an artist in her own right. http://www.forestheart.com/

Ten years ago, the sounds of her loom were the soundtrack to my film: Warp and Weft. https://vimeo.com/34484173

HeddleCrossed weaving

After my day–long weaving immersion and 3 hours of warping, here are my new vocabulary words: warping mill-umbrella-lease sticks-swords-shuttles-heddle-reed hooks-pick per inchFH Warped

FH Umbrella

 

I can’t speak weaving quite yet, but at least I know more of what I am getting into – physically, fiscally and spiritually. And what I still need to learn. And how much help I will need.

Maine has a large number of fiber artists and spinners and weavers. Even my Kayak Guide’s mom is a weaver. (Seriously…YUP it’s true. Hard to believe, huh?)

So….it’s another road trip to Maine. In the winter.

Strand 4: Warp

Kraemer Yarns, Nazareth, PA is located in a large brick structure that echoes the closed mills of Biddeford, Maine. K bldg

Kraemers is still manufacturing yarn instead of converting the space into loft apartments or offices. http://www.kraemeryarns.com 

ASIDE:

In the early 1900’s, Muslim dye workers were brought from Albania to Biddeford, Maine to the textile mills. It is believed that the first U.S. mosque was created within the walls of Pepperell Mill.

At its heyday, Kraemer employed 2000 people. Now there are around 50 employees. Dave Schmidt jr. meets and greets. He is 5th generation Kraemer and so loves his work that his family left him behind as they headed for a Disney vacation. (He will eventually join them.)

Kraemer’s is now a kind of artisanal yarn factory. It specializes in custom blended – U.S. only – wool. Their wool was used in the XXll U.S. Olympic team uniform.K Olympic

My 30-minute tour extended to 2 hours. (Did I say that Dave LOVES his job.)

We walk a kind of ‘process labyrinth.’

There are rooms filled with raw wool and rooms with cones of yarn.k cones

 

 

K woolIn    between, the work happens. Some rooms house leviathan-sized machines. (I am not sure where the spare parts come from but they do the repairs themselves.) The noise is deafening.k machines

 

He asked me questions about the yarn for the project that I could not answer – what size, gauge, ply, origin and type of wool? (If I had enough friends with sheep, Kraemer’s could spin their wool into warp.)

Strand 5: Weft

I learned of Peace Fleece http://www.peacefleece.com in a conversation with Mary Walker, a Navajo rug restoration person in Arizona. http://weavinginbeauty.com

The Peace Fleece offices are in an old barn on a sheep farm in the small, rural town of Porter in the foothills of southwestern Maine.

PF House

PL barnPF horsesPeter Hagerty and Mary Tracy operate their farm using 19c equipment, VERY large horses, and produce Peace Fleece yarn. After many twists and turns along a somewhat plowed road, I arrive at their door.

Peter and Marty started buying wool from the Soviet Union back in 1985 in ‘ hopes that through trade they could help diffuse the threat of nuclear war. Since then, Peter has journeyed through eastern Europe, central Asia and the Middle East in search of farmers and shepherds who are willing to set aside historic enmities in exchange for opportunities leading to mutual understanding and economic interdependence.’

ASIDE:

In 1926, Eldar Markson (Jennie’s husband) to support Jewish Polish weavers, established a cooperative in which their products would be sold in the U.S.

The final design of Abraham’s Tent and its emphasis on community involvement evolved as a result of my ‘kitchen table’ conversations with Peter and Marty. They have invited me to speak about the Welcoming the Stranger project at their Spring Retreat. (They assure me that the road will be plowed.)

Strand 6: Twist

Finding volunteers is a necessity of community-based art. Although I have written more than 20 grants, WTS has (to date) received no funding.

Located in Topsham, Maine, Maine Fiberarts  www.mainefiberarts.org is a statewide arts nonprofit formed to support Maine fiber. Christine Macchi, Director, graciously hosted a meet and greet for me at their Center/Gallery. (I brought donuts from Frosty’s Donuts where I met ANOTHER person who loves their job. )

Frosty'sWhen it became painfully obvious to all that I did not speak weaving, three weavers volunteered to create samples using a variety of yarns for the weft and warps, various weaving techniques and to create various “hands.” (They definitely speak weaving.)

They are my first volunteers: http://bangordailynews.com/pressrelease/topsham-fiber-arts-center-will-focus-on-weaving/

Susan Perrine  www.susanperrine.com/

Sybil Shiland

Emi Ito

ASIDE:

A Greater Portland Landmark member bought one of Emi’s scarves after the City Council voted and passed historic districting for House Island.

Strand 7: Yarn

We have estimated that I will need 30,000 pieces of yarn (GASP!), each piece 42” in length, to create Abraham’s Tent. My neighbor and grant writer is a self-professed “knitting geek.” www.galaidacreative.com. She believes that we can “crowd source” on Ravelry to obtain the yarn.

Ravelry.com www.ravelry.com/about is an “on-line place for knitters, crocheters, designers, spinners, weavers and dyers to keep track of their yarn, tools, project and pattern information, and look to others for ideas and inspiration. The content here is all user-driven; we as a community make the site what it is.” (It is rumored there are 5,000,000 members.)

There are blogs and podcasts and forums and groups. I am to be interviewed by AbbyKnitz on the west coast http://cogknitivepodcast.blogspot.com/ and Kathy and Steve Elkins, owners of WEBS – on Ready, Set, Knit – on the east coast. http://blog.yarn.com/category/ready-set-knit-podcast/.

So the Call for Handspun** has begun. Our first 4 donations arrived. Only 29,996 pieces to go. Sam2

Strand 8: Weaving Hope

How do we weave together hope and reality?

Still reeling from the reports of Charlie Hebdo, I went to talk with S____ from whom I have been learning about Islam in an ad hoc classroom known as the lobby of a building.

I asked:

It is all so terrible. It is all so frightening. What can we do? Is there any hope?

He answered:

We are safe in this lobby.  At this moment, we are safe. We talk with each other. We learn from each other. We respect each other. At this moment, we are safe.

I respond:

– Inshallah.

 

** Become part of Abraham’s tent—

Hebrews 13:2

Do not forget to show hospitality to strangers, for by so doing some people have shown hospitality to angels without knowing it.

Abraham’s Tent will be installed on the ceiling of the entrance hallway of the Maine Jewish Museum. The tent-like form will be composed of 3 woven panels – each 50’ x 4’. The middle panel will be created by members of the community. The loom will be set up in various locations around Portland throughout the spring and summer. Members of the community will be encouraged to weave on the loom. Other panels will be created by members of the local weaving community.

I am seeking donations of hand spun yarn – any gauge, any color, something meaningful to you. Non-traditional fiber materials will be accepted. Your yarn and a tag with your family’s country of origin will be “woven” into the panels of  “Abraham’s Tent.”

When: February 14 – April 30, 2015

What: Yarn – 42” lengths of hand spun yarn – any gauge, any color, non traditional materials accepted. Other yarn also accepted but prefer wool.

Please include your name, email address and your family’s country of origin. $1.00 bill or check made to Welcoming the Stranger Fund a 501 (c)(3). Funds will used to defray costs of processing yarn and name tags. Mail to:

Welcoming the Stranger Art

PO Box 10419

Portland Maine 04104